Clinker | IMAGES

CLINKER | IMAGES


LEFT-FIELD ELECTRONS... an AUDIO PICNIC

LEGISLATURE CLAMSHELL PARK | SEPTEMBER 13, 2009
Clinker premieres his analog modular performance...
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PHOTOS BY MICHAEL KENT



MUTEK_10 FESTIVAL
ON THE OTHER SIDE...
LIVE CINEMA

METROPOLIS SAVOY ROOM (MONTREAL) | MAY 28, 2009


PHOTO BY IAN ROSS

PHOTO BY EVA BLUE

PHOTO BY LAI WAH








MUTEK_10 TOUR | CLINKER + DJ WIJIT
AVENUE THEATRE (EDMONTON) | APRIL 17, 2009




MUTEK in Edmonton was a very special occasion...a rare live appearance by Clinker's 1976 Minimoog Synthesizer certainly in order...


SONIC BOOM | CALGARY
ON THE OTHER SIDE...
LIVE CINEMA

Presented by EMMEDIA Gallery & Production Society
TELUS World of Science Discovery Dome Theatre
| MARCH 20, 2009

Photos by Aran Wilkinson-Blanc
Clinker On the Other Side... Live Cinema


Clinker returning to his roots as a bassist with THE ELECTRON ORCHESTRA WITHDRAWAL


2008 INTERNATIONAL LEONARD COHEN FESTIVAL
ON THE OTHER SIDE...
LIVE CINEMA

CITADEL RICE THEATRE | JULY 2008 - EDMONTON , CA





Above Performance Photography by Tom Turner





Above Performance Photography by Cameron Ambrose





Above Set-Up and Staging Photography by Tamara Majiwska


2007 MUTEK FESTIVAL
PROVODY
LIVE CINEMA

EX-CENTRIS THEATRE | MAY 30, 2007 - MONTREAL, CA



Above Performance Photography by Andrea Ayotte




MUTEK 2007 PANEL
VJING, LIVE CINEMA & BEYOND: BREAKING BARRIERS IN THE AUDIO/VISUAL DIVIDE

Back in the original psychedelic era, the first Visual Jockeys used to drip wax on overheard projectors. The aim was to create a spontaneous and experiential combustion of colour, movement, shape, and sound that broke the barrier between the audio and visual domains, producing a transcendental experience for the audience. This was also the era of performative happenings and movements like Fluxus.

In many ways, today's VJs work with Live Cinema, getting back to the basics of audio/visual projection: they catalyze technological advances, exploring the space between sound and vision. These artists have developed techniques that go far beyond the realm and comfort of the living room ; they are creating participatory experiences in the round. Often they additionally present this work in the form of installation at international galleries and museums, forming a synergy between audio and video, bathing the body in multisensory stimulation.

Live Cinema has become an artform, a new sensory language. Unlike the predetermined visual assemblages that currently make the backdrop for concerts, Live Cinema enthusiasts are experimenting with new and unforeseen ways to cull a spontaneous visual reaction from live sound. Whether it's a matter of imagining new instruments (like Randy Jones) or building new software (like Semiconductor), Live Cinema asks that its practitioners think of manipulation, transcendence, music, and the multi-sensory experience in new ways, and then build the tools they need to bring imagination to life.
Moderator: TJ Norris (Portland)
Participants: Boris & Brecht Debackere (Brussels), Clinker (Edmonton), Randy Jones (Seattle), Semiconductor (London), Skoltz_Kolgen (Montreal)


2003 MUTEK FESTIVAL
EX-CENTRIS THEATRE | MAY 28, 2003 - MONTREAL, CA




Above Performance Photography by Darwin Meyers

 


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Background Photo by: Aran Wilkinson-Blanc | oddorange.com