{"id":347,"date":"2012-04-26T00:28:00","date_gmt":"2012-04-26T00:28:00","guid":{"rendered":"http:\/\/www.clinkersound.com\/frequency-painting\/?page_id=347"},"modified":"2024-02-26T07:30:26","modified_gmt":"2024-02-26T07:30:26","slug":"bibliography","status":"publish","type":"page","link":"http:\/\/www.clinkersound.com\/frequency-painting\/bibliography\/","title":{"rendered":"BIBLIOGRAPHY"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #000000;\">SELECTED BIBLIOGRAPHY<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/cec.sonus.ca\/econtact\/15_4\/candler_joynes.html\" target=\"_blank\" rel=\"noopener\">GARY JAMES JOYNES &#8211; A REVIEW OF VISUAL SOUND IN PRACTICE<br \/>\nCEC eContact! 15.4 Journal<br \/>\nby DAVID CANDLER<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/issuu.com\/dc3art\/docs\/landscape_catalogue3\" target=\"_blank\" rel=\"noopener\">LANDSCAPE&#8230;<br \/>\nGROUP EXHIBITION CATALOG<br \/>\nBY DAVID CANDLER<br \/>\ndc3 Art Projects<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">THE NEWS FROM HERE: THE 2013 ALBERTA BIENNIAL OF CONTEMPORARY ART<br \/>\nEXHIBITION CATALOG<br \/>\nby NANCY TOUSLEY<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"https:\/\/www.dc3artprojects.com\/past\/just-draw\" target=\"_blank\" rel=\"noopener\">JUST DRAW<\/a><br \/>\nGROUP EXHIBITION MONOGRAPH<br \/>\nby DAVID CANDLER<br \/>\ndc3 Art Projects<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/www.clinkersound.com\/frequency-painting\/?page_id=1343\">SPIN OFF: CONTEMPORARY ART CIRCLING THE MANDALA<\/a><br \/>\n<a href=\"http:\/\/www.clinkersound.com\/frequency-painting\/?page_id=1343\"> SHOW CATALOG FOR THE KOFFLER CENTRE FOR THE ARTS<\/a><br \/>\n<a href=\"http:\/\/www.clinkersound.com\/frequency-painting\/?page_id=1343\"> by EVELYN TAUBEN<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a title=\"FREQUENCY PAINTING: 12 TONES\" href=\"http:\/\/www.clinkersound.com\/frequency-painting\/?page_id=365\">FREQUENCY PAINTING: 12 TONES<br \/>\nLATITUDE 53 CONTEMPORARY CULTURE SOLO EXHIBITION MONOGRAPH<br \/>\nby DAVID CANDLER<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">VAGUE TERRAIN 05: MINIMALISM<br \/>\nPROVODY<br \/>\nby GARY JAMES JOYNES<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #000000;\">SELECTED PRESS + REVIEWS + INTERVIEWS<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/edmontonjournal.com\/entertainment\/local-arts\/edmontons-nuit-blanche-a-gigantic-art-party-and-more?hootPostID=d53e337adc6f4358477f8bfe540c00bf\" target=\"_blank\" rel=\"noopener\">EDMONTON JOURNAL NUIT BLANCHE EDMONTON FEATURE<\/a><br \/>\n<a href=\"http:\/\/edmontonjournal.com\/entertainment\/local-arts\/edmontons-nuit-blanche-a-gigantic-art-party-and-more?hootPostID=d53e337adc6f4358477f8bfe540c00bf\" target=\"_blank\" rel=\"noopener\">Interview with Nuit Blanche Curator Dave Dyment<\/a><br \/>\nBy Fish Griwkowsky, September 21, 2015<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">BROKEN SOUND &#8211; INFINITE GRAIN (Adventures in Microsound) FEATURE<br \/>\nJULY 27, 2015<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">BROKEN SOUND \u2013 Gary James Joynes Contemplates Silence and Fragility<br \/>\nCreative Applications Network feature by Greg J. Smith<br \/>\nJune 25, 2015<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">BROKEN SOUND &#8211; EDMONTON JOURNAL ART PIC FEATURE<br \/>\nGary James Joynes\u2019 Broken Sound<br \/>\nBy Fish Griwkowsky, May 22, 2015<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"https:\/\/vimeo.com\/134137050\" target=\"_blank\" rel=\"noopener\">CLINKER VIDEO INTERVIEW &#8211; OFF THE STAGE @ MADELIFE<\/a><br \/>\nBOULDER, COLORADO, USA<br \/>\nApril 20, 2015<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">THE HOWE SOUND SYSTEM &#8211; RADIO INTERVIEW<br \/>\nBowen Island, BC, Canada<br \/>\nBy Ed Jordan, September 22, 2014<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">WIND ROSE VUE MAGAZINE FEATURE<br \/>\nby Meaghan Baxter, April 30. 2014<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/cec.sonus.ca\/econtact\/15_3\/edmonton.html\" target=\"_blank\" rel=\"noopener\">CANADIAN ELECTRO-ACOUSTIC COMMUNITY (CEC)<br \/>\n<\/a>25th Anniversary Tour in Edmonton &#8211; Interview<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">CJSW RADIO NOISE 12 TONES FEATURE + LIVE INTERVIEW<br \/>\nSeptember 12, 2013<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">CKUA RADIO ARTBEAT 12 TONES FEATURE + INTERVIEW<br \/>\nSeptember 8 Episdoe, 2013<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">STEPHEN MAGAZINE 12 TONES FEATURE + INTERVIEW (Pages 24-26)<br \/>\nCalgary, Alberta<br \/>\nFall Issue, 2013<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">LIVID INSTRUMENTS INTERVIEWS GARY JAMES JOYNES<br \/>\nAustin, Texas<br \/>\nJuly 25, 2013<br \/>\nby Peter Nyboer<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">ALBERTA PRIMETIME VIDEO FEATURE<br \/>\nTOPOGRAPHIC SOUND: AN EXPLOSIVE EXHIBITION<br \/>\nDC3 Gallery showcases the visualization of sound waves.<br \/>\nOriginal Air Date: Friday, March 01, 2013<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/www.youtube.com\/watch?v=fY5j1vK3myw&amp;feature\" target=\"_blank\" rel=\"noopener\">OPTIK TV VIDEO FEATURE<br \/>\nTOPOGRAPHIC SOUND SERIES \/ PEREGRINATION LIVE CINEMA<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/www.clinkersound.com\/frequency-painting\/?page_id=1073\">TOPOGRAPHIC SOUND: CREATING THE VISIBLE FROM THE AUDIBLE<br \/>\nEDMONTON JOURNAL ARTS FEATURE<br \/>\nFebruary 7, 2013<br \/>\nby FISH GRIWKOWSKY<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a title=\"TOPOGRAPHIC SOUND by AGNIESZKA MATEJKO\" href=\"http:\/\/www.clinkersound.com\/frequency-painting\/?page_id=809\">TOPOGRAPHIC SOUND<\/a><a title=\"TOPOGRAPHIC SOUND by AGNIESZKA MATEJKO\" href=\"http:\/\/www.clinkersound.com\/frequency-painting\/?page_id=809\"><br \/>\nGALLERIES WEST MAGAZINE<br \/>\nSUMMER ISSUE, 2013<br \/>\nby AGNIESZKA MATEJKO<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">WE ARE ALL IN THE SAME PLACE \/ SOUNDBURSTING NO.1<br \/>\nVUE WEEKLY ARTS FEATURE<br \/>\nMarch 7, 2012<br \/>\nby CAROLYN JERVIS<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">SOUNDBURTSING NO.1<br \/>\nGARY JAMES JOYNES EXPLORES THE BIRTH OF SOUND<br \/>\nEDMONTON JOURNAL ARTS FEATURE<br \/>\nApril 8, 2012<br \/>\nby SANDRA SPEROUNES<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><span style=\"color: #000000;\">NATIONAL POST TALKS TO SPIN OFF ARTISTS MELISSA SHIFF &amp; GARY JAMES JOYNES<br \/>\nfeaturing images of OUROBOROS<br \/>\nby JASON SPENCER<br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">LOOK LONGER, THINK HARDER<br \/>\nReflections on a year of vIsual arts<br \/>\nby CAROLYN JERVIS<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/www.clinkersound.com\/frequency-painting\/?page_id=709\">BEYOND OPTICAL<br \/>\nFREQUENCY PAINTING: 12 TONES<br \/>\nby CAROLYN JERVIS<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">VAGUE TERRAIN DIGITAL ARTS JOURNAL | INTERVIEW<br \/>\nFREQUENCY PAINTING: 12TONES<br \/>\nby GREG J. SMITH<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/www.clinkersound.com\/frequency-painting\/?page_id=681\">BLACKFLASH MAGAZINE FEATURE<br \/>\nFREQUENCY PAINTING: 12 TONES, GARY JAMES JOYNES\/CLINKER<br \/>\nby DAVID LARIVIERE<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"http:\/\/www.youtube.com\/watch?v=1PvjvRRNvyU&amp;feature=related\" target=\"_blank\" rel=\"noopener\">FREQUENCY PAINTING: 12 TONES | VIDEO INTERVIEW<br \/>\nby SANDRA SPEROUNES for the EDMONTON JOURNAL<br \/>\nMain Space Gallery\u2028February 4, 2011 | Latitude 53, Edmonton, Alberta\u2028<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\">INTERVIEW WITH CLINKER: GARY JAMES JOYNES<br \/>\nROULETTE MIXOLOGY FESTIVAL<br \/>\nNEW YORK CITY<br \/>\nMAY 13, 2010<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; SELECTED BIBLIOGRAPHY &nbsp; GARY JAMES JOYNES &#8211; A REVIEW OF VISUAL SOUND IN PRACTICE CEC eContact! 15.4 Journal by DAVID CANDLER &nbsp; LANDSCAPE&#8230; GROUP EXHIBITION CATALOG BY DAVID CANDLER dc3 Art Projects &nbsp; THE NEWS FROM HERE: THE 2013 ALBERTA BIENNIAL OF CONTEMPORARY ART EXHIBITION CATALOG by NANCY TOUSLEY &nbsp; JUST DRAW GROUP EXHIBITION [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/www.clinkersound.com\/frequency-painting\/wp-json\/wp\/v2\/pages\/347"}],"collection":[{"href":"http:\/\/www.clinkersound.com\/frequency-painting\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.clinkersound.com\/frequency-painting\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.clinkersound.com\/frequency-painting\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.clinkersound.com\/frequency-painting\/wp-json\/wp\/v2\/comments?post=347"}],"version-history":[{"count":98,"href":"http:\/\/www.clinkersound.com\/frequency-painting\/wp-json\/wp\/v2\/pages\/347\/revisions"}],"predecessor-version":[{"id":2471,"href":"http:\/\/www.clinkersound.com\/frequency-painting\/wp-json\/wp\/v2\/pages\/347\/revisions\/2471"}],"wp:attachment":[{"href":"http:\/\/www.clinkersound.com\/frequency-painting\/wp-json\/wp\/v2\/media?parent=347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}